Chigiana. III, 3 (LI)

Nicola Sani

Prefazione

Antonio Cascelli – Christopher Morris

Introduction

Listening and Looking

Leslie Korrick

Listening and Looking in the Age of Sound Art: Notes on History, Theory,
Practice, and Reception

Spectatorship

Julia Freund

Beethoven’s “Appassionata” in the Tube. Conflicting Temporalities
in Graphically Animated Music Videos

Nicolò Palazzetti

Backstage Live. Theatre, Opera and the Obscene in the Visual Age

Jacopo Tomatis

La popular music in una prospettiva transmediale: il caso della trap in Italia

Sites and Bodies

Maria Rosa De Luca – Giuseppe Sanfratello

“Sounding” the Space: Soundscape and Construction of the Imaginary in the Historical District of San Berillo

Jessica Stearns

Between Site-Specific and Sound Installation: The Multisensory Experience of Andrew May’s Unset

Thomas R. Moore

Image of the Conductor: a Case Study of Simon Steen-Andersen’s AMID

Traditions

Jeroen van Gessel

«Da ward mein Auge wach»: Filmed Performances of Schubert’s
Winterreise and the Tradition of Visualizing Schubert Songs

Christopher Smith

Against the Grain and Out Yonder: Decolonizing the Music Conservatory via Vernacular Pedagogies 

Joseph Wong

Re-envisaging Chinese Traditional Music: The Use of Pre-existing Music in Post-war Hong Kong Martial Arts Costume Drama Films

Moving Images

Matteo Quattrocchi

Il passato come «avvenir migliore»: sovrimpressioni mediali nella Traviata di Lazar

Henry Balme

Between Music and Painting: Walter Ruttmann’s Opus Films

Giacomo Albert – Gianfranco Vinay

Nei deserti di Varèse e di Viola