Chigiana. III, 4 (LII)

Fabrizio Della Seta – Massimiliano Locanto

Introduzione (free download)

Music and the Politics of Power

James Garratt

Music, Mimetic Manipulation, and the Politics of Power in Imperial Germany 

Axel Körner

Music, Power, and Changing Semantics of Time in the Long Nineteenth Century

Structures of Power in Music Theatre

Carlotta Sorba

Nobilissime logge per la Real Corte. Usi, pratiche, significati dei palchi reali nei teatri italiani del primo Ottocento

Mark Everist

Opera in the Bathroom: Power and Personality in opéra de salon of the Second Empire

Sonja Starkmeth

Topsy-Turvy or Mainstream? Power Structures in Late Victorian Popular Musical Theatre

Francesco Fontanelli

«Sei er gefehmt, sei er gebannt!». Il destino degli oppressi e dei redenti, da Tannhäuser a Parsifal

Musical Institutions and the Politics of Power

Galliano Ciliberti

La Chapelle royale durante la Restaurazione (1814–1830):  cerimoniale e ritualizzazione del quotidiano come instrumentum regni

Caiti Hauck

Choral Societies and Political Power in the Cities of Bern and Fribourg in the Nineteenth Century

Verena Paul

Playing for Supremacy, or The International Contest of Military Bands in 1867

Music, Colonial Power, and Industry in a Global Space

Salvatore Morra

The Tunisian Mālūf during French Protectorate: Power and Decolonisation

Paolo Prato

Exporting Naples: Geopolitics and Transculturality, from Io te voglio bene assaje to Caruso

Alessandro Avallone – Emanuele Franceschetti

Potere e influenza dell’industria culturale: musica e immagini
nella pubblicistica primonovecentesca targata Ricordi