Imago Musicae XXXIV

SOMMARIO

Ciro Lo Muzio, Making music in ancient Khotan. A re-appraisal of Khotanese terracottas
Nicoletta Guidobaldi, The Parnassus of the Montefeltro. Investigations into the musico-pictorial program of the Tempietto delle Muse in Urbino
Gaia Prignano, Francesca Bianca Sforza tra cultura umanistica e politica dinastica: rilettura delle Muse cremonesi del Victoria and Albert Museum
Luís Correia de Sousa & Luzia Aurora Rocha, In praise of polyphony. A consort of flutes in the sixteenth-century Guimarães monstrance
Laurence Wuidar, Dipingere la varietà dei suoni. La musica nel Trattato dell’arte de la pittura di Giovanni Paolo Lomazzo (1584)
Florence Gétreau, Thomas van der Wilt’s portrait of Dirck Scholl of Delft at his double-manual and pedal clavichord
Cristina Bordas Ibáñez & Judith Ortega Rodríguez, Crónica visual y musical de un ballet ecuestre del siglo XVIII: Las Parejas Reales de Luis Paret (1770)
Cristina Santarelli, Warburg before and after the Renaissance: classical quotations between archaeology and psychohistory
Cristina Bordas Ibáñez, In memoriam Jordi Gibert Ballester (1963–2023)